September 8, 2009

If you never let me go, I will never let you down.

(September 8th, 2009 Millvale, PA - Mr. Small's)


After seeing The Gaslight Anthem in March, I added them to the list of bands I'll never miss when they're in town, so as soon as a fall headliner was announced, I made arrangements to find my way there. The thing I've found about going to weeknight shows is that the crowd is always much cooler than on weekends, there's less high school kids trying to impress each other, and it's more like a bunch of friends. I met a couple really cool people from all over the tri-state area just waiting outside the venue. My friend and I even got a spot right on the barrier because we were pretty early. It was his first good show too, so the night was looking rather promising.

Then Ninja Gun took the stage. Oh what a horrible segue. They were actually really good, in context. I don't know if I'd go see them headline, but if my dad wanted something to do on a Saturday night and they were playing a bar, I'd be all over it. To reiterate that statement, they reminded me of something that would fit really well in a bar in a working man's town, just good times music, staying optimistic. That was the general atmosphere for everyone's sets.

The second band to play, The Loved Ones, came out and absolutely burned the stage up. I've seen a lot of bands live, and I've (over)used a lot of adjectives to try to give you some kind of sense of what they're like, but The Loved Ones are the first band that reminded me of real, good old rock stars. I've never seen a band have so much fun and sound so good, while simultaneously giving a great first impression. They also kept the optimism alive with smiles and similar subject matter. Dave Hause, the band's rhythm guitarist and vocalist, was all over the stage. I only wish I would've picked up one of their records on vinyl, or at the very least a t-shirt, to support such a good band and such great guys. I went home the next night and I've been listening to Build & Burn ever since. They're another band to add to that very same list I talked about two paragraphs ago.

Sometimes it takes seeing a band live for me to really appreciate their recorded output. Such is the case with Murder by Death. While I've had all of their full length albums in my library for quite a while, I never really got into it, but when they took the stage, they really changed my mind. It wasn't a particularly awe-inspiring performance, it didn't even seem like they were having that great of a night, they just came out and played, and left a majority of the crowd (including myself) quite satisfied. "Those Who Stayed," the set's instrumental closer, was particularly impressive, and left me wanting more. When I go to see bands that I adore headline, such is the case with Gaslight, I tend to get a bit anxious during the openers, especially the direct support, but Murder by Death kept me interested throughout their whole set. That's very commendable, and depending on the opening acts, I would even go see them headline.

set list:
Sometimes the Line Walks You
'52 Ford
Ball and Chain
A Masters In Reverse Psychology
Ash
Steal Away
Steam Rising
Comin' Home
Organ Grinder
Brother
Until Morale Improves, The Beatings Will Continue
Those Who Stayed

The first time I saw Gaslight, I didn't even know the songs all that well, but it was still one of my favorite sets I'd seen. Knowing the songs definitely made it even better. Anything that I had to complain about last time was put in the past. The sound was unbelievable, and the whole band was having a great time (as usual). While the song choices were excellent, it was very similar to the spring tour's set lists. I wouldn't have minded a little bit of variation, but I left happy nonetheless.

set list:
High Lonesome
Casanova, Baby!
Old White Lincoln
Even Cowgirls Get the Blues
The '59 Sound
We Came to Dance
Film Noir
Miles Davis & The Cool
Meet Me By the River's Edge
Stand By Me/I'da Called You Woody, Joe
Angry Johnny & the Radio
Great Expectations
Here's Looking at You, Kid
The Backseat

encore:
Blue Jeans & White T-Shirts
Wherefore Art Thou, Elvis?
Drive

July 29, 2009

Just turn up our soundtrack and we'll keep singing out loud.


(July 29, 2009 Millvale, PA - Mr. Small's)

Every once in a while, a tour comes along that's too good to pass up (see my last post, about the New Deal tour). Gig Life didn't seem like one of those to me initially. A friend and I planned on attending, I for Fireworks and Set Your Goals, who co-headlined the tour with Four Year Strong, the band he wanted to see. Some problems arose just a few days before the show, and I thought I wasn't going to be able to attend. But had that happened, you wouldn't be reading this, would you? Everything worked out, and I found myself at Small's door in the rain on a Wednesday night.

Grave Maker, a hardcore band (no, not the kind of 'hardcore' you listen to) from the UK, came out first and absolutely killed it. I've seen so many generic bands that claim the term 'hardcore,' but this was the first real hardcore band I've ever seen, and they won't be the last. The crowd/band interaction, the band's energy, the aggression in their sound, it all created this really crazy mood that can't be duplicated. I don't really have any other experiences to compare it to, but if I ever - scratch that - when I see another hardcore band, I'll let you guys know how Grave Maker compares.

The second band to play was a band from Michigan (they congratulated us as Pittsburghers about the Stanley Cup) who go by the name The Swellers. They play an infectious brand of a workingman's pop punk, if you will [your girlfriend wouldn't really care for it, but they couldn't play with three other Grave Maker's either (that term will never stick)], and with their recent signing to Fueled By Ramen, have a hard-earned slot opening for Paramore. This was one of those sets that made me really regret not being more familiar with the band's material, they put on a great show, had a ton of fun, and made it fun for us. They set the bar for the rest of the night, in retrospect.

One of the two bands I was looking forward to most, Fireworks, was up next. They came out swinging with "Detroit," the first single off of their fantastic new album, All I Have to Offer is My Own Confusion. Dave, the band's vocalist, does not sound very good live though, as evidenced throughout the whole set. Sometimes though, it's more about having a good time than sounding good while you do it, and I had a pretty darn good time throughout. The set was filled with songs I, along with several others in the crowd, knew every word to, and the band was really energetic. The atmosphere was just really upbeat. Given the chance I'd definitely go see them again, just to have a great time.

set list:
Detroit
I Support Same Sex Marriage
Michigan Boys Need To Get A Clue
Closet Weather
Show Me Your Vanishing Act One More Time
Geography, Vonnegut And Me
2923 Monroe St.
From Mountain Movers, To Lazy Losers
When We Stand On Each Other We Block Out The Sun

Before the show started, I found out (to my disappointment) that Four Year Strong was headlining, and Set Your Goals would be direct support. More than anything I was worried about set times, but clearly that was nothing to be concerned about. I gave my phone and my glasses to my friend and headed for the pit by the end of "The Fallen..." and spent the next 45+ minutes having the time of my life. This mosh pit ran the gamut, complete with several circle pits, standard moshing, pushing, and several crowd surfers. Did I mention singing along at the tops of our lungs? If I could do it every night of my life, I'd be the happiest guy alive. SYG wasn't the best band I've seen live or anything (don't take that the wrong way, they sounded really great), but they were the funnest band I've ever seen live, without a doubt.

set list:
This Will Be The Death Of Us
The Fallen...
Work In Progress
We Do It For The Money, OBVIOUSLY
Look Closer
Summer Jam
Echoes
Goonies Never Say Die!
To Be Continued...
Gaia Bleeds (Make Way For Man)
This Very Moment
Our Ethos: A Legacy To Pass On
Dead Men Tell No Tales
Mutiny!

My night was already complete, but Four Year Strong had yet to play, and my logic was that I paid to see five bands, I might as well stay for all five. I've never been a big fan of FYS though. For a while I never listened to any of these other bands because they drew comparisons to FYS, the first hardcore-pop-punk/easycore/positive hardcore/whatever-you-want-to-call-it band that I'd heard. I'm just not a fan, don't ask why, but their live show didn't sell them to me at all. The crowd was really boring, and the band felt like robots. The set was exactly what I expected, and while they sounded really good, it didn't even feel like they were in the room. It was as if a couple hundred kids gathered together to listen to a Four Year Strong CD together.

set list (courtesy of setlist.fm):
The Takeover
Bada Bing! Wit' A Pipe!
Catastrophe
Abandon Ship Or Abandon All Hope
Men Are From Mars, Women Are From Hell
Semi-Charmed Life (Third Eye Blind cover)
Prepare To Be Digitally Manipulated
Beatdown In The Key Of Happy
She Really Loved You (Reach The Sky cover)
Maniac (R.O.D.)

encore:
Heroes Get Remembered, Legends Never Die

Nonetheless, I did enjoy myself. This tour was so worth it, it was one of the best times I think I've ever had at a show. I feel almost privileged to have been there, these bands are at the top of this scene, and to get them all on the same bill was quite a treat.

July 19, 2009

Hand in hand with the devil, singing "Hallelujah."

(July 19, 2009 Pittsburgh, PA - Garfield Artworks)
If you follow my posts, at least since April, you've done one of three things - you either listened to, and weren't impressed by Audrye Sessions (review here) or Paper Route (review here), you didn't take my advice at all, and completely disregarded both bands, or you took the leap (and my word) and went and saw the two bands on the New Deal Tour, because face it, I raved about them. I'm going to go ahead and hope we all went with option three, but I know that isn't necessarily the case. So allow me these five paragraphs to remind you what a terrible decision that really was.

The first band to play was Good Sir Con Artist, who were just added to the bill that day. They were doing a DIY tour and needed a place to play in the area, and I guess they found it. I wasn't super impressed, but they certainly weren't bad. I talked to the guys after their set, specifically to ask what they listen to, and their vocalist's taste was almost identical to mine (think Kevin Devine, Manchester Orchestra, and the likes of) and that did show through in their performance without a doubt.

Another (extremely pleasant) surprise on the bill was the second band, A Voice Like Rhetoric. A band based in Pittsburgh and Akron, Ohio, I'm somewhat familiar with their work. I have their full length and I've seen them once before, but I didn't get the full affect of their live show the last time, being that I was stuck in a crowd of Chiodos fans. Still, AVLR are definitely one of the coolest things that Pittsburgh has going. Skillfully combining math rock with it's much simpler counterparts in the scene, and making it sound (and look) effortless, A Voice Like Rhetoric are one of the few local bands that I won't pass up seeing at the given opportunity again. They're all very humble guys too, really easy to talk to. Definitely worth the listen. Definitely worth repeated listens, and probably seeing them live if you get the chance.

I knew two things coming into this show, it was a co-headliner, and both bands who could be headlining are fantastic live. What I didn't know was who would be headlining, and it turned out to be Audrye Sessions, which meant Paper Route would be playing third. I also didn't know who is actually better live, even though I've seen both bands. Well, as it turned out, Paper Route is the better of the two. The first time I saw them, the lighting in the venue was fantastic. This time, the venue was a lot smaller, but they made due by wearing flashlights on their arms and legs and shutting off the rest of the lights. It was really kind of indescribable. They sounded amazing too, so much better than they are on record. Paper Route is the best band I've ever seen live. That's all I can really say.

set list:
Wish
Carousel
Are We All Forgotten
Last Time
Tiger Teeth
You Kill Me
Gutter
Dance On Our Graves

That isn't to take anything away from Audrye Sessions. They're in the top five as far as bands I've seen live, without a question. Ryan Karazija, the band's vocalist, consistently steals the show. His range is mindblowing. The whole band is so together too, most of the songs are played much differently than the album versions. "Nothing Pure Can Stay" was without question the highlight of their set, the bridge of the song was dragged out for a good seven minutes, every second of it stunning. This whole tour was a dream come true, once you've seen these bands live you'll know why.

set list:
Where You'll Find Me
Turn Me Off
Hands Full (new song)
Awake
New Years Day
Nothing Pure Can Stay